Welcoming Dr. Leslie Atzmon as Director of Design History and Theory
Starting this January 2026, we welcome Dr. Leslie Atzmon as Director of Design History and Theory. Atzmon has been participating with our team for several months. She is currently on the jury of the 2025 Design Incubation Educators Awards, as well as other initiatives we have under development.
Leslie Atzmon is a designer and design historian who teaches at Eastern Michigan University. She co-edited the collections Encountering Things: Design and Theories of Things (Bloomsbury 2017) and The Graphic Design Reader (Bloomsbury 2019). Atzmon and colleague Ryan Molloy were awarded a National Endowment for the Arts (NEA) ArtWorks grant from 2012-2014 to support experimental book design workshops and the creation and production of The Open Book Project book. Atzmon has a new collection, entitled Visual Ecologies of Placemaking, edited with Pamela Stewart (forthcoming Bloomsbury 2026).
Atzmon’s current work mainly investigates the intersections between design and science, with a focus on biodesign. In 2016, Atzmon was a Fulbright fellow at Central Saint Martins UAL, UK doing research on Darwin and design thinking. This led to the essay, “Intelligible Design: The Origin and Visualization of Species,” in the journal Communication Design (2016). In 2019/2020, she curated the exhibition Design and Science, which ran at Eastern Michigan’s University Gallery and The Esther Klein Gallery/Science Center in Philadelphia. She also edited a related collection entitled Design and Science (Bloomsbury 2023). Atzmon is currently working on a biodesign textbook, entitled Biodesign in Context (forthcoming Lived Spaces 2027), with Professor Diana Nicholas of Drexel University.
Presentations and discussion in Research and Scholarship in Communication Design at the 114th Annual CAA Conference 2026
Thursday, February 19, 2026 4:30PM – 6:00PM CST Hilton Chicago – Lower Level Salon C-6
Recent research in Communication Design. Presentations of unique, significant creative work, design education, practice of design, case studies, contemporary practice, new technologies, methods, and design research. A moderated discussion will follow the series of presentations.
Friday, November 14, 2025
11:00AM – 12:30PM EDT
Online (ZOOM)
Recent research in Communication Design. Presentations of unique, significant creative work, design education, practice of design, case studies, contemporary practice, new technologies, methods, and design research. A moderated discussion will follow the series of presentations.
Friday, November 14, 2025 11:00 AM – 12:30 PM EDT Online
Colloquium Attendee Registration
Please register here to attend the upcoming DI colloquium.
Friday, June 20, 2025
11:00AM – 12:30PM EDT
Online (ZOOM)
Recent research in Communication Design. Presentations of unique, significant creative work, design education, practice of design, case studies, contemporary practice, new technologies, methods, and design research. A moderated discussion will follow the series of presentations.
Friday, June 20, 2025 11:00 AM – 12:30 PM EDT Online
Colloquium Attendee Registration
Please register here to attend the upcoming DI colloquium.
Presentations and discussion in Research and Scholarship in Communication Design at the 113th Annual CAA Conference 2025
Recent research in Communication Design. Presentations of unique, significant creative work, design education, practice of design, case studies, contemporary practice, new technologies, methods, and design research. A moderated discussion will follow the series of presentations.
A course that engaged a cohort of international first-semester masters students in complex theoretical concepts encouraging self-reflection and creative authorship.
Molly Haig, Lecturer & Dr. Till Julian Huss, Professor University of Europe for the Applied Sciences Berlin, Germany
The study of media ecology offers design students vital insights into our culture, but like any detailed framework of ideas, these should be approached with precision, care, and scaffolding. Ecological thinking engages with the interconnectedness of complex systems, from the environment to technology and culture (Hörl 2017). Using ecological thinking as a conceptual entry point and typography as a visual one, we built a course that effectively engaged a cohort of international first-semester masters students in complex theoretical concepts by encouraging self-reflection and creative authorship.
The theoretical branch of the course involves lectures and discussions, engaging with theories of media ecology from their early anticipations (Kiesler 1939) to their defining approaches (McLuhan 1967, Strate 2017). Design is understood through the environment, or as transformation of lived environments (i.e. the Future Ecologies series ed. Löffler, Mareis, & Sprenger since 2021, and in a historical perspective Busbea 2020). Gibson’s (1979) concept of affordances, which Don Norman (2013) translated to a key principle for user-centric design, offers a bridge to design practice, and the theory of metaphors is introduced as a foundational mode of creative thinking.
The practical branch of the course frames typography and publication as tools for conceptual analysis, integrating excerpts from the theoretical texts into increasingly complex visual assignments. Students also keep a scrappy physical journal or “commonplace book” with 30 entries, each linking an in-class idea to an external one. Each student’s final publication is an “autobiographical user manual” guiding the “user” through the course based on the student’s subjective experience.
Student work revealed unique representations of theoretical content and strong metaphorical thinking, and many projects were reflective of students’ fresh experiences of a new environment during their first semester in a foreign country. Publications ranged from a hand-bound dictionary of terms, to ChatGPT’s “diary,” to directions through a distorted Berlin, to thirty existential questions posed by a whimsical humanoid peach. We heard from many students who found the course structure engaging and welcoming.
Our theoretical/practical approach is supported by an abundance of research on the educational benefits of multimodal learning, or engaging with more than one “mode” of accessing information (i.e. Moreno & Mayer 2007, Serafini 2015) especially when studying in a second language (Yi & Choi 2015), as well as metacognitive reflection (understanding one’s own understanding of a topic, i.e. Cummings 2015).
Our course offers an example of how explorations of ecological thinking and typography can support each other, but more broadly how collaborations across disciplines can be mutually beneficial, and increase the accessibility of both.
The Design + Translation panel aims to recenter perspectives and prioritize inclusivity by representing a wider range of voices that build design community.
Friday, June 7, 2024
Time: 1:00pm–5:00pm EST
St. John’s University, Manhattan Campus
101 Astor Place, New York, NY
Hosted by Liz DeLuna, Professor, St. John’s University
Presentations will be published on the Design Incubation YouTube Channel after May 29, 2024. This hybrid conference will be held on Friday, June 7, 2024 at 1pm EST at St. John’s University, Manhattan Campus.
Eventbrite Tickets, in-person and virtual attendance:
Evolution in Content Creation: 10 years of The Design Writing Fellowship Aaris Sherin, Professor, St. John’s University
Cultures of Excellence: Lessons Learned from Eight Years of the Communication Design Educators Awards Steven McCarthy, Professor Emeritus, University of Minnesota
Presentations and discussion in Research and Scholarship in Communication Design at the 112th Annual CAA Conference 2024
Recent research in Communication Design. Presentations of unique, significant creative work, design education, practice of design, case studies, contemporary practice, new technologies, methods, and design research. A moderated discussion will follow the series of presentations.
Maria Smith Bohannon Assistant Professor Oakland University
Graphic design as a profession often perpetuates rampant consumerism through the art of persuasion, which is directly at odds with working toward sustainable and ecological discourse. To explore the possibilities of sustainable capitalism and foundational sustainable and environmental design themes, I developed a special topics course to understand and investigate the designer’s role as a climate design activist and sustainable designer. The emphasis of this course will focus on sustainable design thinking, praxis, and ideation with the investigation of green or recycled materials as part of the prototyping process—both print and digital—all in the pursuit of reimagined design futures.
This course study will look at foundational systems thinking from environmental design pioneers, cross-disciplinary collaboration, and how designers can successfully implement sustainable methodologies and utilize environmentally friendly materials to craft sustainable solutions today. By identifying and framing complex problems plaguing the world, we can examine the possibilities and challenges in addressing these issues broadly or within local communities.
As sustainability and eco-friendly solutions are imperative for future generations’ ability to prosper, sustainable pedagogy must become foundational in graphic design education. By adopting sustainable design pedagogies, educators provide future designers with the tools—and understanding of sustainable design history, process, methodologies, and materials—to question capitalist tendencies and develop sustainable solutions.
