Towards a Typographic Pluriverse

The notion of decolonizing type is massive in scope: from its history, to its design, application, technology, and future.

Laura Rossi García
Professional Lecturer
DePaul University

This research examines the history, practice, and pedagogy of typography. Typography is at the core of design—both implicit and explicit in its role in shaping language, culture, and power structures—but it is mired in “racial homogeneity and dominated by white men.”1 The selection, use, and application of typography—from style to legibility—can uphold or disrupt dynamics of power: who can read it, who uses it, who made it, whose voice does it carry—human, machine, the included or the excluded. While there is great movement to decolonize design, less is happening specific to decolonizing typography, or decolonizing type pedagogy. “Letterforms are loaded cultural objects” 2 —a container for language— and an “extension of the spiritual, social, political, and historic mind-set of nations”.3

The very notion of decolonizing type is massive in scope: from its history, to its design, application, technology, and future. How do we broaden and re-frame the structures and systems that exist in order to make room for oppressed and marginalized voices and make inclusive the societies in which we live? This presentation will introduce a series of case studies that serve as examples for how to reconsider the very root of thought around type systems and their effects and influence on our students, the field of design, and ultimately our products, systems, and societies.

1. Munro, Silas. “Typography as a Radical Act in an Industry Ever-dominate by White Men,” AIGA Eye on Design, August 26, 2019. Accessed: December 15, 2020. URL: https://eyeondesign.aiga.org/tre-seals-is-turning-typography-into-a-radical-act/
2. Munro, Silas. Ib, id.
3. Shehab, Bahia and Haytham Nawar. “Early Arabic Printing” in A History of Arab Graphic Design. American University in Cairo Press: 2020. pp. 29-41.

Colloquium 8.1: Seton Hall University

Saturday, October 23, 2021
Time: 1:00pm–2:00pm
Online ZOOM event

Hosted by Christine Lhowe, Assistant Professor and Christine Krus, Professor of Art & Design, College of Communication and the Arts, Seton Hall University.

Presentations will be published on the Design Incubation YouTube Channel after October 5, 2021. Virtual Conference will be held online on Saturday, October 23, 2021 at 1pm EST.

Moderators

Camila Afanador Llach
Assistant Professor
Florida Atlantic University

Christine Lhowe
Assistant Professor
Seton Hall University

Christine Krus
Professor
Seton Hall University

Presentations

Towards a Typographic Pluriverse
Laura Rossi García
Professional Lecturer
DePaul University

Social Media as Design-Writing Process Tool
Dori Griffin
Assistant Professor
University of Florida

Utterly Butterly Propaganda: An Analysis of Illustration as a Tool of Persuasion in Amul™ Ads
Kruttika Susarla
Graduate Student
Washington University in St. Louis

Mash Maker: Improvisation for Design Student Studios 
Ryan Slone
Assistant Professor
University of Arkansas

Bree McMahon
Assistant Professor
University of Arkansas

Redefining The Default: Decentering Pedagogical Perspective in the Typography Classroom
Mia Culbertson
Assistant Professor
Kutztown University

Interactive Storytelling for Packaging: Design Using Augmented Technology to Explore Personal and Social Identities
Linh Dao
Assistant Professor
California Polytechnic State University



Designing Your Research Agenda 1.2

Friday, October 29, 2021
4PM EST
Online ZOOM Event

Designing Your Research Agenda is an panel discussion and open forum for design scholars and researchers to discuss various aspects of their research agendas. We aim to open a dialog regarding multiple challenges discovering one’s design research inquiry. Design Incubation will also be discussing some of their ongoing work with the mission and focus of supporting design research. Designing Your Research Agenda is an ongoing design research event series.

Some of the questions we will discuss with panelists

  • How did you determine your research agenda (high level timeline of your career/trajectory)
  • How do you define research and why do you think it matters — for society, the field, yourself?
  • How do your department and institution define and support the work you do?
  • How would you describe/categorize your department and institution?
  • How do you position your research: design theory, design history, design practice, design research (traditional graphic design, speculative design, UX/UI, typography, AR, VR, creative computing, design solutions, etc.), design pedagogy, or something else?
  • What barriers (if any) exist at your institution or in the field for creating and disseminating your research?

Moderators

Jessica Barness and Heather Snyder Quinn

PANELISTS

Tasheka Arceneaux-Sutton
Associate Professor of Graphic Design
North Carolina State University and
Faculty at Vermont College of Fine Arts

Tasheka Arceneaux-Sutton is an Associate Professor of Graphic Design at North Carolina State University. She has taught graphic design at Southeastern Louisiana University and Typography at Loyola Marymount University. She is also a faculty in the low-residency MFA program in Graphic Design at Vermont College of Fine Arts. In addition, Arceneaux is the principal at Blacvoice Design, a studio specializing in branding, electronic media, identity, illustration, print, and publication design for educational institutions, non-profit organizations, and small businesses. Arceneaux’s research focuses on discovering Black people omitted from the graphic design history canon. Recently, her research is focused on Black women who have made significant contributions to the graphic design profession. She is also interested in the visual representation of Black people in the media and popular culture, primarily through the lens of stereotypes.

Instagram: @blacvoice

Liat Berdugo 
Associate Professor of Art and Architecture
University of San Francisco

Liat Berdugo is an artist and writer whose work investigates embodiment, labor, and militarization in relation to capitalism, technological utopianism, and the Middle East. Her work has been exhibited and screened at Yerba Buena Center for the Arts (San Francisco), MoMA PS1 (New York), Transmediale (Berlin), V2_Lab for the Unstable Media (Rotterdam), and The Wrong Biennale (online), among others. Her writing appears in Rhizome, Temporary Art Review, Real Life, Places, and The Institute for Network Cultures, among others, and her latest book is The Weaponized Camera in the Middle East (Bloomsbury/I.B.Tauris,  2021). She is one half of the art collective, Anxious to Make, and is the co-founder of the Living Room Light Exchange, a monthly new media art series. Berdugo received an MFA from RISD and a BA from Brown University. She is currently an Associate Professor of Art + Architecture at the University of San Francisco. Berdugo lives and works in Oakland, CA. More at www.liatberdugo.com

Instagram: @whatliat
Twitter: @whatliat

Caspar Lam 
Assistant Professor
Director of the BFA Communication Design Program
Parsons School of Design

Caspar Lam is an Assistant Professor and the Director of the BFA Communication Design Program at Parsons. He is also a partner at Synoptic Office, an award-winning design consultancy working globally with leading cultural, civic, and business organizations. His research and practice explore the systematic relationships among graphic design, data, language, and their influence on visual culture. Caspar holds an MFA from Yale and degrees in biology and design from the University of Texas at Austin. He formerly led design and digital strategy at Artstor, a Mellon-funded non-profit developing digital products related to metadata and publishing for institutions like Harvard and Cornell. Adobe, AIGA, and the ID Annual Design Review have recognized his work. He has been a visiting critic at the Hong Kong Design Institute and served as an Adjunct Associate Research Scholar at Columbia University ́s GSAPP. He sits on the board of directors of AIGA NY.

More at www.synopticoffice.com

Instagram: @synopticoffice

Extended Deadline: Design Incubation Awards 2021

Check it out! We’ve extended the deadlines.

Design Incubation Communication Design Awards 2021

Has it been a hectic year for you too? Phew. And we’re not sure how this autumn will go. But we do know that there has been some very fascinating work produced recently. Great published works, creative and experimental projects, innovative teaching methods, and important designed service initiatives.

We’ve decided we’re going to break some rules and extend our own deadlines. The annual international Design Incubation Communication Design Awards 2021 have extended their nomination and entry period to Wednesday, December 1, 2021. 

We hope you will enter your work, or nominate the work of a colleague or graduate student. There’s lots of really great stuff out there, and our friends want to see it! Help us shine the light on these and offer you some recognition.

What is the $20 entry fee for? There are lots of hidden costs when running an all-volunteer organization. Even though most of them are relatively small, they add up to more than you would think. However, if this is the only thing stopping you from entering your work, please don’t let it be. Submit anyway. It’s on us. We are not motivated by profits at Design Incubation, we are motivated by seeing you succeed 🙂

Let’s Talk Teaching Strategies and Pedagogy for Design and Art Direction

Design education strategies and pedagogical methods for remote, online, hybrid, and face-to-face learning

June 16, 2021
3pm – 4:30pm

This event offers the opportunity for an open discussion of successful activities and challenging teaching scenarios during these chaotic academic transitions. Come join us to discuss your experiences with design education strategies and pedagogical methods for remote, online, virtual, hybrid, and asynchronous learning. Ideas for discussion include conventional vs. unconventional instructional methodologies, student warm-ups, interstitial exercises, laboratory assignments, minor and major course projects, critiques, rubrics, collaboration, discussions, challenges, and serendipity. Share your experiences and stories.

Robin Landa, Distinguished Professor in the Michael Graves College at Kean University and author of the newly published 4th edition of Advertising by Design (Wiley) and 6th edition of Graphic Design Solutions (Cengage) will moderate this workshop.

Presentation and Directives
Robin Landa, Kean University

Breakout Room Facilitators:

  • Anne H. Berry, Cleveland State University
  • Deborah Ceballos, Kean University
  • John Delacruz, San Jose State University
  • Neil Ward, Drake University
  • Li Zhang, Purdue University

CFP: 2021 Design Incubation Communication Design Awards

Call for Nominations and Entries for the 2021 Design Incubation Communication Design Awards for Educators and Graduate Students

Design Incubation announces a call for nominations and entries for the 2021 awards for communication design educators and graduate students in the areas of scholarship, teaching, service. The aim of the awards program is to discover and recognize new scholarship (creative work and publications), teaching, and service in our broad and varied discipline. We hope to expand the design record, promote excellence and share knowledge within the field. 

Nominations

We ask colleagues and mentors to identify outstanding creative work, publications, teaching, and service being created by design educators and graduate students in our field and to nominate these individuals for an award. Nominations will be accepted until December 1, 2021. 

Entry Guidelines

Entries will be accepted from June 1–December 1, 2021. Complete the online entry form with the following:

Title: Description of project and outcomes (not to exceed 500 words)

Supporting Materials: (limited to 5-page medium resolution pdf of artwork; web links to websites, videos, other online resources; published documents or visual documents)

Biography of applicant/s (150 words per applicant)

Curriculum vitae of applicant/s

The 2021 Design Incubation Awards: Graduate Student Work 

If you are faculty advising graduate students please encourage students to enter the competition by nominating them for the awards.  The future of communication design education begins with the work of future faculty and researchers in the field of Communication Design. Recognition of graduate student work will be grouped and reviewed in the categories of scholarship, creative projects, service, and teaching. Graduate students currently enrolled in graduate design programs are invited to submit scholarship, creative projects, service projects, teaching innovations they completed during graduate study or up to one year after graduation. 

2021 Jury

Gail Anderson, School of Visual Arts, New York

John Bowers, School of the Art Institute of Chicago, Illinois

Lesley-Ann Noel, North Carolina State University, North Carolina

Maria Rogal, University of Florida, Florida

Lucille Tenezas, Parsons School of Design, New York

Teal Triggs (Chair), Royal College of Art, London

Biographies

Gail Anderson

Gail Anderson is an NYC-based designer, educator, and writer. She is Chair of BFA Design and BFA Advertising at the School of Visual Arts and the creative director at Visual Arts Press. Anderson has served as senior art director at Rolling Stone, creative director of design at SpotCo, and as a designer at The Boston Globe Sunday Magazine and Vintage Books. She has taught at SVA for thirty years and has coauthored 15 books on design, typography, and illustration with the fabulous Steven Heller. 

Anderson serves on the Citizens’ Stamp Advisory Committee for the US Postal Service and the advisory boards of Poster House and The One Club for Creativity. She is an AIGA Medalist and the 2018 recipient of the Cooper Hewitt, Smithsonian Lifetime Achievement Award for Design. Her work is represented in the Library of Congress’s permanent collections, the Milton Glaser Design Archives, and the National Museum of African American History and Culture.

John Bowers

John Bowers is chair of the Visual Communication Design department at the School of the Art Institute of Chicago. Through making, writing, and teaching, he explores issues of individual and collective identity. His making practice repurposes newspapers from public to private record, and billboard paper into forms that address their underlying targeting strategies and have been sold through Printed Matter. He worked as a Senior Identity Designer at Landor (San Francisco) during the dot-com bubble. His professional work has been published in 365: AIGA, Communication Arts, ID, and Graphis. His writing includes “A Lesson from Spirograph,” (Design Observer), Introduction to Two-Dimensional Design: Understanding Form and Function, Second Edition (Wiley), and Visual Communication Design Teaching Strategies, which isposted on the AIGA Educators Community website. He has been a curriculum consultant and visiting designer in the US, Canada, and Sweden.

Lesley-Ann Noel

Dr. Lesley-Ann Noel is a faculty member at the College of Design at North Carolina State University. She has a BA in Industrial Design from the Universidade Federal do Paraná, in Curitiba, Brazil, a Master’s in Business Administration from the University of the West Indies in Trinidad and Tobago and a Ph.D. in Design from North Carolina State University. 

Lesley-Ann practices design through emancipatory, critical, and anti-hegemonic lenses,  focusing on equity, social justice, and the experiences of people who are often excluded from design research, primarily in the area of social innovation, education and public health. She also attempts to promote greater critical awareness among designers and design students by introducing critical theory concepts and vocabulary into the design studio e.g. through The Designer’s Critical Alphabet.

She is co-Chair of the Pluriversal Design Special Interest Group of the Design Research Society.

Maria Rogal

Maria Rogal is a Professor of Graphic Design and founding director of MFA in Design & Visual Communications at the University of Florida. She is the founder of D4D Lab, an award-winning initiative codesigning with indigenous entrepreneurs and subject matter experts to support autonomy and self-determination. After over a decade working with partners in México, she cofounded Codesigning Equitable Futures to foster respectful collaborations among the university and local community in Gainesville, Florida. She continues to speak and write about social and codesign, recently presenting at Pivot 2020, and co-authored “CoDesigning for Development,” which appears in The Routledge Handbook of Sustainable Design. Her research has been funded by AIGA, Sappi, and Fulbright programs, among others, and her creative design work has been featured in national and international juried exhibitions.

Lucille Tenazas

Lucille Tenazas is an educator and graphic designer based in New York and San Francisco. Her work is at the intersection of typography and linguistics, with design that reflects complex and poetic means of visual expression. She is the Henry Wolf Professor of Communication Design at Parsons School of Design and was the Associate Dean in the School of Art, Media and Technology from 2013-2020. She taught at California College of the Arts (CCA) for 20 years, where she developed the MFA Design program with an interdisciplinary approach, focusing on form-giving, teaching and leadership.

Lucille was the national president of the AIGA from 1996-98 and was awarded the AIGA Medal in 2013 for her lifetime contribution to design practice and outstanding leadership in design education. She received the National Design Award for Communication Design by the Cooper Hewitt Smithsonian Design Museum in 2002. Originally from Manila, the Philippines, Lucille studied at CCA and received her MFA in Design from Cranbrook Academy of Art.

Teal Triggs (Chair)

Teal Triggs is Professor of Graphic Design and leads on the MPhil/PhD programme in the School of Communication, Royal College of Art, London. As a graphic design historian, critic and educator she has lectured and broadcast widely and her writings have appeared in numerous edited books and international design publications. Triggs’s research focuses on design pedagogy, criticism, self-publishing, and feminism. She is Associate Editor of Design Issues (MIT Press) and was founding Editor-in-Chief of Communication Design (Taylor & Francis/ico-D). Her recent books include: co-editor with Professor Leslie Atzmon of The Graphic Design Reader (Bloomsbury), author of Fanzines (Thames & Hudson)and the children’s book The School of Art (Wide Eyed Editions) which was shortlisted for the ALCS 2016 Educational Writer’s Award. She is Fellow of the Design Research Society, International Society of Typographic Designers and the Royal Society of Arts.

Design Incubation Colloquium 7.3: Florida Atlantic University

A Virtual Conference Saturday, April 10, 2021, 1PM EST.

Presentations will be published on the Design Incubation YouTube Channel after April 3, 2021. Virtual Conference will be held online on Saturday, April 10, 2021 at 1pm EST.

Colloquium 7.3: Florida Atlantic University (#DI2021apr) will be held online. Registration for this event below.

Virtually hosted by Camila Afanador-Llach, Assistant Professor + Graduate Coordinator, Graphic Design, the Dorothy F. Schmidt College of Arts and Letters at Florida Atlantic University. This event is open to all interested in Communication Design research.

Please view research presentations before attending the moderated discussion on Saturday, April 10, 2021.

Presentations

Forensic Abstraction in Israel/Palestine: the Graphic Representations of Bodies in Citizen Media
Liat Berdugo
Assistant Professor
University of San Francisco

The Spectacle of Violence: Illustrating Surpanakha’s Mutilation
Shreyas R Krishnan
Sam Fox School of Design & Visual Arts
Washington University in St.Louis

Visual and Verbal Communication on Sustainable Packaging As a Vehicle for Public Education and Awareness
Hyena Nam
Adjunct Professor
Visual Communication Department
Kent State University

Stories from the Mchafukoge: Kanga as a Form of Visual Communication
Ziddi Msangi
Associate Professor
University of Massachusetts Dartmouth
Vermont College of Fine Arts

Addressing Opportunity: The Landscape of Inequality
Mia Cinelli
Assistant Professor
The University of Kentucky

Shoshana Shapiro
PhD Candidate
University of Michigan

Understanding Racial And Gender Bias In Ai And How To Avoid It In Your Designs And Design Education
Sarah Pagliaccio
Adjunct Professor
Lesley University
College of Art and Design
Brandeis University

Designing Products of the Future Through Speculative Design
Mehrdad Sedaghat-Baghbani
Assistant Professor
Florida Atlantic University

Connecting Scholars, Building Community, Design Research Network(ing) | Design Incubation Affiliated Society Meeting

This open forum will have design scholars and researchers discuss various research topics, offer their ideas, discuss opportunities for contributors/participants/collaborators, and open dialog regarding multiple challenges within the design research field.

Friday, February 12, 2021
12:30 PM Eastern Time (the US and Canada)
Online ZOOM Event

This is the Affiliated Society meeting of the 109th CAA Annual Conference. The meeting is open to non-conference attendees as well. Please register in advance for this event.

Overview:

Please join us at The College Art Association (CAA) Design Incubation Affiliated Society meeting | Connecting Scholars, Building Community, Design Research Network(ing) virtually on Friday, February 12, from 12:30-1:30 pm (EST).

Design Incubation is a volunteer academic organization whose focus and mission are facilitating research and scholarship in design. We aim to foster discussion and collaboration among academics and industry professionals. We are a resource for those working and studying within the field.

This open forum will have design scholars and researchers discuss various research topics, offer their ideas, discuss opportunities for contributors/participants/collaborators, and open dialog regarding multiple challenges within the design research field. Design Incubation will also be discussing some of their ongoing work with the mission/focus of supporting design research.

Some of the questions we will discuss with panelists include:

  • How did you determine your research agenda?
  • How do your dept and institution define and support the work you do?
  • How would you describe/categorize your dept and institution?
  • If you were going to position your research within a category, would you say your work addresses: design theory,
    design history, design practice, design research (traditional graphic design, speculative design, UXUI, typography, AR, VR, creative computing, design solutions, etc.), design pedagogy, something else?

MODERATOR:

Dan Wong
Associate Professor, New York City College of Technology, CUNY
Co-founder/Executive Director, Design Incubation

Dan’s research considers the forms and methodologies of communication design research and innovates through the practice of communication design.

PANELISTS:

Heather­­­ Snyder Quinn
Assistant Professor, DePaul University’s School of Design
Director of Design Futures, Design Incubation

Heather’s research uses design fiction and speculative design to question the ethics of emerging technologies, challenge technocratic power, and imagine possible futures.

Jessica Barness
Associate Professor, School of Visual Communication Design, Kent State University
Director of Research Initiatives, Design Incubation

Jessica’s research focuses on social media, publication practices, and the design of scholarship, and how these relate to issues of power and representation.

Ayako Takase
Assistant Professor of Industrial Design, Rhode Island School of Design
Director of Master Program
Co-Founder, Observatory Design

Ayako’s design research focuses on evolving relationships between people, objects, and technology in the context of work.

Penina Acayo Laker
Assistant Professor, Sam Fox School of Design & Visual Arts, Washington University St. Louis
Co-Principal Investigator, Mobility for All by All

Penina’s research centers around topics that utilize a human-centered approach to solving social problems.


Registration required. Please use your institutional email to register.

If This is Theory, Why Isn’t It Boring? Connecting traditional text[book]s to real-life contexts with Augmented Reality

Teaching Award Winner

Although it pains me to say so, I find that many undergraduate students think “theory” is a difficult, if not an irrelevant, even “boring” subject. In the case of my sophomore-level online course, “GD303 Graphic Design Theory + Practice,” students access course content asynchronously, oftentimes when they are alone, perhaps in the privacy of their own homes. In other words, their learning does not take place in a space where “real” people sit together as a “real” instructor moves around the lecture hall (who, incidentally, is able to observe facial expressions of confused or enlightened students). GD303 satisfies university “General Education” course requirements — consequently, at least half the students enrolled each semester are not Graphic Design majors.

The project I am pleased to submit to the 2020 Design Incubation Award is an Augmented Reality (AR) application, designed for my GD303 course and supported through a NCSU Course Innovation Grant from DELTA that I received in 2018. AR learning experiences, in the form of digital overlays that appear in the physical world, render abstract theoretical topics more concrete, no matter the student’s major, and in ways that motivate them to study and engage with course content (especially the textbook). Target images printed in the textbook trigger twelve different AR multimedia learning experiences that designed to “make visible” key theoretical concepts by animating them in a way that demonstrates and illustrates these concepts. The app is available to anyone, whether they own the textbook or not, and they do not need to be enrolled in the course. It is downloadable for free on Apple Store or Google Play (tablet or smart phone). The design of the app also meets usability and accessibility criteria for learners with vision disabilities.

While the physical world where we live and learn is a 3-dimensional spatial world, it is paradoxical that the materials for delivering online curricula are mostly 2-dimensional, flat media. The choice of AR is about exploring innovative solutions to the design of course content beyond typical textbooks, study guides, and Powerpoint lectures. The AR-enhanced reading experiences are designed to be immersive, colorful, surprising, interactive, and energetic to get students to delve deeper into and reflect upon the theoretical topics we cover. AR technology brings a “boring” textbook to life by connecting reading assignments (accessed as static pages) to real-world digital examples from different perspectives — examples that students prefer, i.e., dynamic media. It functions like an interactive “pocket study guide” that students can use while they read their assignments. It is designed to “perform” like a teacher in a live class by pointing out main concepts — and their locations — in the textually dense readings. As a “virtual instructor,” the application poses “pop-up pop-questions” to help students prepare for exams — a feature that helps students grasp one of Graphic Design’s main visual theories, “Gestalt”. The AR tools are designed to help students visualize other difficult-to-understand concepts, such as “objective reality,” “three-point perspective,” and “vectors,” as well as “see” how a designer uses a grid to layout a design. Furthermore, the AR experiences provide multiple means of representation (two dimensional, three-dimensional, audio, video, animated media) so that students can approach information in more than one way. Examples include: digital storytelling by a virtual agent who explains theories used in a seminal Postmodern design poster; the ability to see how form communicates meaning in the design of an architectural feature; or a virtual magnifying glass that lets users zoom into an image to read small type that otherwise could not be read in a print reproduction.

The move from an inert medium, such as a static drawing or photograph printed in a book, to dynamic interactive representations that visually demonstrate conceptual frameworks is positively changing how students think about theory in this course (see “Evidence of Outcome”). I considered how images already published in the textbook could incorporate new visual representations in the form of three-dimensional models and time-based animations— e.g., how static printed images become dynamic media that delves further into topics for those students who may want or need more in-depth explanations.

Early evaluations of the tool found that students (even non-majors) were not only enthusiastic about learning complex subjects, but they had made significant conceptual developments and improved exam scores (see “Evidence of Outcome”). Furthermore, the menu-driven, collapsible interface is designed for easy expansion — more experiences are planned in the future.

Each type of media I have incorporated in my GD303 course (the textbook, the lecture slides, the online Moodle platform, and now, the augmented reality application) are designed with a consistent “look and feel” across the different media. Graphic Design majors, especially, want to see the learning materials they engage with in their design courses as being informed by the design principles of good form, design consistency, and engaging visual vocabularies that they are learning about in their educations — it is my way of putting theory into practice.

All contributors affiliation is:
North Carolina State University
Distance Education and Learning Technology Applications (DELTA)

Rich Gurnsey, Lead Multimedia Designer
Laurie Gyalog, Lead Project Manager
Stephen Waddell, Immersive Media Developer
Matthew Casto, 2D/3D Artist

Deborah Littlejohn is an Associate Professor in the Department of Graphic Design & Industrial Design and affiliated faculty with the College of Design’s PhD in Design program. She teaches masters and undergraduate courses in the areas of history, theory, and research methods, as well as studios that focus on the cognitive-cultural aspects of design. Her research is guided by questions that address relationships between new information environments, technology, and people’s ability to learn, adapt, and change through the mediating influence of design. Projects focus on understanding the perceptions of professional, technological, and socio-cultural impacts on design’s professional and academic development. In the community engagement space, she works on visualization tools and interactive asset mapping applications to support stakeholders in communicating their community’s future development and potential.

Rich Gurnsey is a lead multimedia designer at DELTA (Distance Education and Learning Technology Applications) at North Carolina State University. In this role, Rich collaborates with instructors, subject matter experts, instructional designers, and other teammates to develop or improve upon courses and instructional materials via visual media including animation, video, AR, VR, motion graphics, illustration, and graphic design.

Rich’s recent projects include leading a team in the creation of an augmented reality app that transforms a graphic design theory textbook into an engaging multimedia experience, and helping to create a virtual organic chemistry lab — complete with 360 video and animation, which enables users to carry out five experiments in a VR environment. Additionally, Rich’s freelance animation work has been featured in film festivals in the U.S. and abroad, as well as in galleries, online, and on TV. He is a graduate of the College of Design at NC State.

Laurie Gyalog, a Lead Project Manager, with NC State University, works on a variety of projects ranging from course grants and learning analytics to workflow management of marketing and communications. Laurie works to enhance efficiency, effectiveness, transparency, collaboration and communication across all projects and areas of the organization. She is the founder of the NC State University Project Management and Agile Community (PMAC), a Certified Scrum Product Owner® (CSPO®), Certified SAFe® 5 Program Consultant (SPC), Certified SAFe® 5 Lean Portfolio Manager (LPM), Certified SAFe® 5 Product Owner/ Product Manager (POPM), Certified SAFe® 5 Practitioner (SP), Certified SAFe® 4 Agilist (SA), and ICAgile Certified Professional – Agile Coach (ICP-ACC).

Stephen Waddell works with NC State’s Distance Education (DELTA) department as an Immersive Media Developer. Generally this involves working with cutting edge XR technology to enhance course design, and exploring new software and hardware to further the media possibilities in and outside of the traditional classroom setting. With a background in both design and computer science his role blends both the design and realization of immersive media projects.

Matthew Castro is a 2D/3D Artists with over 5 years’ experience, who strives to make the work stand out from the rest. He enjoys working with others and troubleshooting any task that presents itself. Matthew collaborates with numerous DELTA staff as a team member on a variety of distance education projects, doing what he can to ensure the projects are memorable, usable, educational, and delightful.

Design Incubation Communication Design Awards 2020 recipient

Design Incubation Colloquium 7.1: Oakland University

A Virtual Conference October 17, 2020, 1PM EST.

Presentations will be published on the Design Incubation YouTube Channel after October 3, 2020. Virtual Conference will be held online on Saturday, October 17, 2020 at 1pm EST.

Colloquium 7.1: Oakland University (#DI2020oct) will be held online. Registration for this event below.

Hosted by Maria Smith Bohannon and the Dept of Art and Art History at Oakland University, MI. This event is open to all interested in Communication Design research.

Presentations

A Design Conversation of the Interaction between Iranian and American Visual Culture
Setareh Ghoreishi
Assistant Professor
Oakland University

Exploring Connections between Environment and Community Through Design
Danilo Bojic
Assistant Professor
Winona State University

The Machine Hand
Ryan Molloy
Professor
Eastern Michigan University

Let’s Stay Neighbors: A Case Study in Civic Engagement
Chad Reichert
Professor
College for Creative Studies, MI

Sustainable Design Thinking: Changing the Design Process
Maria Smith Bohannon
Assistant Professor
Oakland University, MI

Graphic Design Principles: A History- And Context-Based First-Year Design Textbook
Anita Giraldo
Associate Professor
New York City College of Technology, CUNY

Patricia Childers
Adjunct Professor
New York City College of Technology, CUNY

The Children of Loki: Pairing Norse Mythology With Contemporary Visuals to Create a Provocative Narrative
Jimmy Henderson
Graphic Designer

Jimmy Henderson | Design & Illustration

Core Values Matter: The Role of the People in Shaping Corporate Responsibility
Lilian Crum
Assistant Professor
Lawrence Technological University

Why Design Educators Should Embrace Collaborative (Group) Work in the Design Classroom 
Abby Guido
Assistant Professor
Tyler School of Art and Architecture