Design Incubation Colloquium 6.3: Fordham University is moving Online!

Design Incubation Colloquium 6.3: Fordham University (#DI2020mar)
Virtual Conference May 16, 2020, 1PM EST.

Like all of you, Design Incubation is busy adapting to working from home and online. Please join us for our first Virtual Colloquium!

Learn about the research, creative projects and innovative teaching practices colleagues from around the country are working on. Join the moderated discussion and give the presenters feedback on their projects.

How it works:

  1. Register for the event (yes it’s FREE!).
  2. Watch the 10 pre-recorded presentations before the event, when it’s convenient for you.
  3. Join the moderated discussion and Q&A session via Zoom on Saturday, May 16, 2020 at 1pm EST (10am PST.)

We are working to find ways for faculty to continue to publish, present, and receive feedback on their research. This is our pilot program and we hope you will stay connected to the Design Incubation community as we continue to develop additional virtual programming over the summer.

Design Incubation Colloquium 6.3: Fordham University was originally scheduled to be held at Fordham University is Hosted by Abby Goldstein and the Department of Theatre and Visual Arts at Fordham University. This event is open to all interested in Communication Design research.

Teaching Online? Please Share Your Experiences

How have you adapted a class or course for remote instruction or online learning?

https://social.designincubation.com/topic/252-teaching-online-resources-experiences-tools-recommendations/

Have you created an online class or entire course? Please share your recommendations and experiences on our bulletin board. Click on the link above to join the discussion.

If this is the first time visiting our discussion forum, create a profile, and once approved, you can post freely anywhere on the website.

If you have questions or recommendations, please let us know at info@designincubation.com.

Between Heritage and Modernity: Modernity in Arabic Type Design

The Center for Book Arts is hosting a series of 3 seminars dedicated to Arabic type design and typography, curated by Dr. Nadine Chahine, taking place on March 5, 7, and 19.

The theme of the series revolves around concepts of modernity in Arabic type design, the heritage of Arabic letterforms in the context of current technologies, contemporary Arabic branding design, and the history of Arab graphic design. The series brings together renowned and award winning designers working with Arabic type, both from the US and the Middle East.

The first panel discussion of the 2020 History of Art Series will be on Modernity in Arabic Type Design. The evening will feature Wael Morcos, with a talk entitled Right to Left: A Practice, Dr. Nadine Chahine discussing The Politics of Arabic Graphic Design, and Thomas Jockin, who will be presenting Two Decades of Type Directors Club Award-Winning Arabic Typefaces.

This History of Art seminar will be on Contemporary Arabic Graphic Design. The afternoon will feature Tarek Atrissi, who will be discussing Branding with Arabic Typography; Tala Safié will be presenting, “Haza al Massa” (or “Tonight”), a documentation of the golden years of Lebanese cinema through posters, zines, press books, and film ephemera; and Bahia Shehab, who will be giving a discussion entitled, From Calligraphers to Type designers: Arabic Script in Transition.

The final panel discussion of the 2020 History of Art Series will be on Technology and Heritage. The evening will feature Dave Crossland who will discuss Variable Fonts, and Mamoun Sakkal, who will discuss Calligraphy, Type, Image: A Journey into Arabic Script.

Center for Book Arts
28 West 27th St. Third Floor
New York, NY
10001

RSVP: https://www.eventbrite.com/e/between-heritage-and-modernity-technology-and-heritage-tickets-86609363939

With a Cast of Colored Stars – A Talk with Kelly Walters @tdc

DATE: Tuesday, March 10, 2020
TIME: 6:30 pm – 8:30 pm
LOCATION: Type Directors Club
347 W 36th St.
Suite 603
New York, NY 10018

Through historical archival research and the act of experimental printmaking, Kelly Walters research aims to highlight the linguistic phrases used in promotional Black film posters during the Jim Crow through Blaxploitation eras. By extracting typographic elements such as “an all colored cast” or “with a cast of colored stars,” Kelly Walters is able to closely examine examples of segregation while also re-contextualizing them for new alternative platforms. In looking closely at typographic details, language, and gestures, identifiable patterns emerge pointing to shifts in communication styles and cultural representation in this area of poster design.

https://www.tdc.org/event/with-a-cast-of-colored-stars-a-talk-with-kelly-walters/

Robin Landa Nominated for Board of Directors CAA: Please Vote for Her Today!

Robin Landa, Distinguished Professor, Michael Graves College, Kean University and Chair, Director of Community Outreach at Design Incubation has been nominated for the Board of Directors of College Art Association (CAA). Please join us in congratulating her for the nomination and vote for her today! She is the only design scholar candidate for this prestigious position.

The 2019 Design Incubation Educators Awards

Announcing the recipients of the Communication Design Research Awards in Creativity, Publishing, Teaching, and Service

Design Incubation and the Awards jury is pleased to announce the recipients of the 2019 Design Incubation Communication Design Educators Awards. We sincerely thank all who nominated colleagues and the design educators who entered the competition. As the 2019 jury chair, María Rogal, writes,

“We reviewed rich, diverse, and inspiring contributions from educators in the US and abroad. This excellence prompted us to offer more awards, including two winners in each of the scholarship categories. In addition, the jury identified  an additional work for commendation—specifically attention to diversity, equity, and inclusion. We hope these works informs design educators and the field.” 

We also want to take this opportunity to acknowledge and thank Steven McCarthy for his vision and service. Steven writes,

“After founding the award with Design Incubation, we’ve recognized some impressive work and have elevated the teaching, scholarship, creative practice and service of deserved colleagues. Of this I am proud!” In 2020, Audrey Bennett will serve as the awards jury chair. Finally, we express our thanks to Teal Triggs and Saki Mafundikwa and Design Incubation chairs, Aaris Sherin and Dan Wong, for their support of the 2019 Awards program. 

Congratulations to these 2019 awardees: 

SCHOLARSHIP—CREATIVE WORK AWARD

WINNER: Chicago Design Milestones

Sharon Oiga, Associate Professor, University of Illinois at Chicago;
Guy Villa Jr, Assistant Professor, Columbia College Chicago and
Daria Tsoupikova, Associate Professor University of Illinois at Chicago (with Jack Weiss, Chicago Design Archive;
Cheri Gearhart, Chicago Design Archive;
Wayne Stuetzer, Chicago Design Archive;
Krystofer Kim, Lead Animator, NASA; and
Ali Khan, Animator, University of Illinois at Chicago)

WINNER: Five Oceans in a Teaspoon

Warren Lehrer, Designer, Professor, SUNY, Purchase

Dennis J Bernstein, Poet, Executive Producer, Flashpoints Pacifica Radio

RUNNER UP: Age of Humility

Rebekah Modrak, Professor, University of Michigan;
Jamie Lausch Vander Broek, Librarian, University of Michigan; and
Sam Oliver, Designer, Shaper Realities

SCHOLARSHIP—PUBLISHED RESEARCH AWARD

WINNER: Routledge Handbook of Sustainable Design

Rachel Beth Egenhoefer, Associate Professor, University of San Francisco, Editor

WINNER: Visible Language Special Issue on the History of Visual Communication Design

Dori Griffin, Assistant Professor, University of Florida, Editor

RUNNER UP: The Theory and Practice of Motion Design

R. Brian Stone, Associate Professor, The Ohio State University  and
Leah Wahlin, Senior Lecturer, The Ohio State University, Editors

TEACHING AWARD

WINNER: Perspectives Vancouver

Jonathan Hannan, Assistant Professor, Emily Carr University of Art + Design

RUNNER UP: Woodhill Homes―Design for Experience

Omari Souza, Assistant Professor, Texas State University

SERVICE AWARD

WINNER: Cocktails Against Cancer

Katherine Mueller, Assistant Professor, Temple University

RUNNER UP: Decipher 2018

Kelly Murdoch-Kitt, Assistant Professor, University of Michigan and
Omar Sosa-Tzec, Assistant Professor, University of Michigan

JURY COMMENDATION for Diversity, Equity, and Inclusion

Puerto Rico 2054: Design Pedagogy in a Time of Crisis

Maria Mater O’Neil, Adjunct Professor, Interamerican University, Fajardo Campus & University of Puerto Rico (Rio Piedras and Carolina Campus) and Lesley Ann Noel, Professor of Practice in Design Thinking, Tulane University

2019 JURORS

Audrey Bennett
Professor of Art and Design
University of Michigan

Saki Mafundikwa
Founder and Director
Zimbabwe Institute of Vigital Arts

Steven McCarthy
Professor of Graphic Design
University of Minnesota in Minneapolis/St. Paul

Maria Rogal (Chair)
Professor of Graphic Design/Design & Visual Communications
University of Florida

Teal Triggs
Professor of Graphic Design
School of Communication, Royal College of Art

Introducing the Abstract Writing Wizard of Design Incubation!

A tool to facilitate the writing of an academic abstract.

Do you struggle with composing an academic abstract? Have a great idea for a conference, paper, or other academic submission, but find that you don’t know where to start, or how best to structure your abstract?

Try out the Design Incubation Academic Abstract Outline Wizard. It doesn’t compose a final abstract, but will help you break your ideas down into key components, and it will email you your draft, so you can return to it later, for further development.

Please let us know what you think!

CFP — Issue 4: Archives | Full Bleed: A Journal of Art & Design

Deadline: January 1, 2020

CFP Website: https://www.full-bleed.org/submit

Full Bleed, an annual print and online journal of art and design, seeks submissions for its fourth issue, Archives, forthcoming in Spring 2020. In particular, we are looking for submissions that critique, investigate, or rely on archives of various kinds. We seek new writing about artists working with, playing with, re-contextualizing, or elevating archival materials; art/design projects responsive to historical documents; and essays, fictions, and poetry related to the work of archiving.

We would be excited to see submissions that address:

  • The construction of narrative through objects and historical documents.
  • Digital archiving as a subject for rumination.
  • New archives under development.
  • The ethics and politics of archival practices.

Published annually by the Maryland Institute College of Art, Full Bleed is committed to cultivating aesthetic experience and progressive design while furthering understanding of contemporary conditions. We favor criticism that emanates personality and experiments with form, as well as ambitious critical essays on cultural phenomena that are of active concern to living artists and designers. Read past issues at Full-bleed.org.

Submit a Case Study— Global LEAP: New Frontiers in Design for Social Innovation

The team that brought us LEAP Dialogues: Career Pathways in Design for Social Innovation has a new project. They would like to consider your work in their upcoming project— Global LEAP: New Frontiers in Design for Social Innovation.

Award recipients of the Design Incubation Educators Awards 2019 in the category of Service—Marianna Amatullo, Jennifer May, and Andrew Shea—along with Bryan Boyer work together on this new effort to consider innovation and social impact design as a moral and philanthropic imperative across the globe.

“Our commitment is to represent a diverse overview of design practices that are shaping the field of social innovation across countries and continents. Our book will not present a singular definition of “design for social innovation,” but will instead celebrate the many heterogeneous and dynamic forms of how designers engage critical challenges in their communities, cultures, and countries.”

For details, visit their website, and consider submitting your work for consideration. They are looking for 50 design projects that have made an impact- no matter the level of scale. Find out more & submit or nominate a project at http://globalleapbook.com. Deadline is May 31!

Type Drives Culture Conference

Love Type More Than Ever!
Save on the Type Drives Culture Conference!
Tickets Now Reduced 20%

The theme of this year’s Type Drives Culture Conference is
Type: More ______ Than Ever. Our interactive theme prompts presenters and conference attendees to fill in the blank about the present and future of type.

Type is more global than ever, more accessible than ever, and more exciting than ever. This one-day conference brings together designers and thinkers to share their diverse backgrounds, perspectives, and opinions through provocative talks and panel discussions.

Rich Tu, the vice president of design for MTV, will serve as the master of ceremonies for an exciting day, featuring our keynote speaker type designer/educator and TDC Medalist Fiona Ross.

Other award-winning designers presenting during the day include
E Roon Kang, Nontsikelelo Mutiti, Wael Morcos, Natasha Jen, design reporter Anne Quito of Quartz, Yotam Hadar, and Ksenya Samarskaya.

Among the day’s highlights will be a live-taping of Debbie Millman’s influential podcast Design Matters, where she will interview Kris Holmes of Bigelow & Holmes.

We will also have a panel discussion with Dan Rhatigan of Adobe Fonts, Irin Kim of Google Fonts, and Charles Nix of Monotype moderated by Juliette Cezzar, and two other panels that you won’t want to miss, moderated by Jason Pamentel and Gloria Kondrup of the Hoffmitz Milken Center for Typography in Pasadena.

Tickets include a two-hour reception with the speakers.

Come help us fill in the blank on March 1st.

Group rates available via director@tdc.org

SVA Theater
333 West 23rd Street
New York, NY 10011
+Google Map