Working with Design Clients: Tools and Advice for Successful Partnerships

A practical guide to working on client and community work in the design studio.

Meaghan Dee
Associate Professor
Virginia Tech

Jessica Meharry
Visiting Assistant Professor

Institute of Design at Illinois Tech

Working with Design Clients: Tools and Advice for Successful Partnerships is a book for design students and educators seeking to integrate real-world client projects into their curriculum. Born from extensive research, interviews, and the authors’ years of experience running a successful student-run design studio, this book offers practical advice, tools, and frameworks for navigating the complexities of client-based learning.

The studio is a core strand of design education, and working with real clients is one of the most valuable ways for students to develop their professional design practice skills.

The book is a practical guide to working on client and community work in the design studio – how to collaborate with and connect to communities, find and retain clients, and manage real-world design problems.

The book is structured in four parts:

  1. Why: Establishes the pedagogical value of client projects, emphasizing their role in fostering industry connections, experiential learning, and student empowerment.
  2. What: Focuses on the practicalities of community engagement, client selection, and structuring studio experiences to achieve learning goals.
  3. Who: Examines the roles and responsibilities of students, faculty, and clients, highlighting the importance of effective communication, collaboration, and articulating value.
  4. How: Offers guidance on launching and managing a student-run design studio, including financial management, operational logistics, and planning for long-term sustainability.

This is the book Jessica and Meaghan wish existed when they were thinking about starting a design studio and took over a design studio (respectively). This book addresses a critical gap in design pedagogy literature by providing a comprehensive resource for educators seeking to bridge the gap between academia and professional practice.

Key contributions include:

  • Practical Guidance: Offers concrete advice and actionable strategies for implementing client-based projects, from finding clients to managing budgets to assessing student learning.
  • Diverse Perspectives: Incorporates insights from numerous interviews with design educators, students, and industry professionals, representing a range of institutional contexts and pedagogical approaches.
  • Emphasis on Ethics and Community Engagement: Provides a framework for ethical client interactions, emphasizing the importance of designing with communities rather than for them.
  • Focus on Student Empowerment: Highlights the role of client projects in fostering student agency, leadership, and professional development. (Chapter 3 of this book also features Najla Mouchrek’s Model for Empowerment in the Transition to Adulthood)
  • Support for Student-Run Studios: Offers dedicated chapters on launching, managing, and sustaining student-led design studios.

This book aims for design educators to:

  • Integrate client-based projects into their courses.
  • Develop effective strategies for finding and managing clients.
  • Create meaningful learning experiences that foster student growth and professional preparedness.
  • Build and sustain successful student-run design studios.
  • Promote ethical and socially responsible design practice.

The book also hopes to empower design students to:

  • Confidently work with “real world” clients and community partners.
  • Be more prepared to graduate and enter industry.
  • Understand dynamics of client interactions.

By providing students and educators with the necessary tools and knowledge, this book will contribute to a more engaged, impactful, and relevant design education that better prepares students for the challenges and opportunities of the professional world.

Methodology

The book used a mixed-methods approach, combining:

  • Literature Review: Synthesized existing research on design pedagogy and experiential learning.
  • Surveys: Gathered quantitative data on client-based practices in design programs across the country and around the world.
  • Interviews: Collected qualitative insights from design educators, students, and industry professionals.
  • Case Studies: Via interview, examined successful examples of client projects and student-run studios.
  • Authors’ Expertise: Leveraged the authors’ years of experience in design education and running a student-led studio.

Overall, this book represents a culmination of the authors’ passion for design education and their commitment to preparing students for successful and meaningful careers. It is a resource they wish they had when they first embarked on their journey. They hope it will serve as a valuable guide for fellow educators and their students and contribute to a more vibrant and impactful design education landscape.

This project was the 2024 Design Incubation Educators Awards runner-up recipient in the category of Scholarship: Publication.

Biography

Meaghan A. Dee is an Associate Professor and Chair of Graphic Design at Virginia Tech, where she also serves as a Senior Fellow at the Institute of Creativity, Arts, and Technology. Her work centers on connecting communities through storytelling and immersive design experiences and by fostering collaboration between students, faculty, and industry professionals. Meaghan sees design as a tool for engagement, communication, and innovation.
In addition to her role at Virginia Tech, Meaghan is a docent emeritus for the Letterform Archive in San Francisco and served as co-chair for the AIGA Design Educators Community (AIGA DEC) Executive Board—a group dedicated to supporting and connecting design educators across the world. She earned her Bachelor’s degree in Graphic Design from the University of Illinois at Champaign-Urbana and a Master of Fine Arts in Visual Communication Design from Virginia Commonwealth University.

Jessica Meharry is a designer, researcher, and educator who develops justice-oriented design methodologies for professional practice. She teaches courses in the politics of design, critical contexts of design, and the philosophical context of design research. Jessica received a PhD from the Institute of Design (ID), an MFA from Savannah College of Art and Design, and a bachelor of science from Northwestern University. Jessica’s cross-disciplinary research interests focused on designing for equitable economies, strategizing processes that frame equity as an innovation driver, and developing inclusive design management pedagogy. Jessica’s current research projects include the development and testing of an anti-oppressive design framework focused on information and communication technologies. She is also a collaborator on a research project led by Hillary Carey, PhD candidate at Carnegie Mellon University, in which they’re using design methods to explore anti-racist futures in organizational contexts.

The Design Incubation Communication Design Awards 2017

Awards in Scholarship: Published Research, Scholarship: Creative Work, Teaching, Service. Sponsored by Bloomsbury Publishing.

Design Incubation Communication Design Educators Awards 2017 is a competition. We offer recognition in 4 academic categories in the field of Communication Design:

  • Scholarship: Published Research
  • Scholarship: Creative Work (design research, creative production, and/or professional practice)
  • Teaching
  • Service  (departmental, institutional, community)

The purpose of these awards is to showcase design excellence and ingenuity in the academic study of design. We are excited to announce a partnership with Bloomsbury Publishing who are sponsoring this year’s awards.

Entries will be accepted starting March 1, 2017. Deadline is May 31, 2017. Complete the online entry form here.

Category: Scholarship Creative Work

Portraits of Obama: Media, Fidelity, and the 44th President
Scholarship: Creative Work Award Winner

Kareem Collie

Lecturer

Harvey Mudd

Stanford University

Category: Scholarship Published Research

Critical Making: Design and the Digital Humanities
Scholarship: Published Research Award Winner

Jessica Barness

Associate Professor
Kent State University


Amy Papaelias

Assistant Professor
SUNY New Paltz

Category: Service

The Sit&Tell Project
Service Award Winner

Jenn Stucker
Associate Professor
Bowling Green State University

Category: Teaching

BMORE Than The Story
Teaching Award Winner

Audra Buck-Coleman
Associate Professor

University of Maryland College Park

 

White Plains Storefront Project: Art In Vacant Spaces
Teaching Award Runner-up

Warren Lehrer

Professor
School of Art+Design
Purchase College, SUNY
Founding Faculty Member
Designer as Author Graduate Program
SVA (School of Visual Arts)

 

Science Through Storybooks
Teaching Award Runner-up

Martha Carothers

Professor

University of Delaware

Jurors

Audrey Bennett
Professor
Communication and Media
Rensselaer Polytechnic Institute

Steven McCarthy (Chair)
Professor of Graphic Design
University of Minnesota

Emily McVarish
Associate Professor
Graphic Design; Design; Writing
California College of Art

Maria Rogal
Professor of Graphic Design
University of Florida

David Shields
Associate Professor & Chair of Department of Graphic Design
Virginia Commonwealth University

For details on how to enter, go to the Awards Application Process page.

Announcement of Awards

The awards will be announced the first week of September 2017.

Walls of Freedom: Street Art of the Egyptian Revolution

The book contextualizes the streetart movement of the Egyptian Revolution historically, politically and socially creating a document that contributes to both historiography and activism.

Walls of Freedom: Street Art of the Egyptian Revolution is a project by Don Karl and Basma Hamdy that encompassed three years of intensive research. The book can be considered a hybrid format combining academic research with extensive visual documentation. Its goal is, not only to document, but to contextualize the streetart movement of the Egyptian Revolution historically, politically and socially creating a document that contributes to both historiography and activism. To support the book’s proposed production –260 pages, with over 500 images– a crowd-funding campaign was initiated in 2013 and was supported by 746 funders from 43 countries raising almost double its goal.

The reception of Walls of Freedom has been phenomenal but, unfortunately, in February 2015 a shipment of 500 books was confiscated by Egyptian authorities for ‘instigating revolt’ triggering powerful discussions on freedom of speech and human rights violations in Egypt. Although distributed and sold in many countries it is ironically unavailable and unofficially banned in Egypt. The design component of this project is combinatorial and transcends layout or typography to include participation, curation, authorship, historiography and collaboration. It consists of contributions from 100 photographers, work by 100 artists and essays by 20 specialists approaching the topic from various angles. The ultimate design and research of Walls of Freedom is manifested in its curatorial process where ideas are woven together to present a multifaceted view of the Egyptian Revolution through its street art.

This project was possible because of the contribution and participation of Graphic designer Torge Peters, Artist Ammar Abo Bakr and many others inluding: Caram Kapp, Najwa Sabra, Ganzeer, Hanaa El Degham, Hany Khaled, Magdy El-Shafee, eL Seed, Ahdaf Soueif, Aya Tarek, Yasmin El Shazly, Rana Jarbou, Bahia Shehab, Chad Elias, Basma El Husseiny, Ahmed Aboul Hassan, Sad Panda, El Zeft, Omar Robert Hamilton, Mykala Hyldig Dal, Amber Grünhäuser, Christine Rose, Rachel Sampson as well as the many outstanding photographers and artists who contributed their images and work.

www.wallsoffreedom.com

Basma Hamdy (MFA, Maryland Institute College of Art) is an Assistant Professor of graphic design at Virginia Commonwealth University Qatar. She is a research-based designer, author and educator who produces work that bridges historical, political and social issues with archival, documentarian, participatory, and critical mechanisms.

She has been interviewed and featured extensively in prominent international media –such as The New York Times, Fast Company, Jadaliyya, Huck, Der Spiegel and Print– and exhibited and spoke at several art and design festivals and conferences around the world, most recently, Spielart Festival Munich and The Graphic Design Festival Breda.

Recipient of recognition in the Design Incubation Communication Design Awards 2016.

The Design Incubation Communication Design Awards 2016

Design Incubation is pleased to announce the results of the inaugural Communication Design Educators Awards!

Design Incubation is pleased to announce the results of the inaugural Communication Design Educators Awards

Design Incubation Communication Design Educators Awards is a competition. We offer recognition in 3 categories: Scholarship (design research, creative production, and/or professional practice), Teaching, and Service  (departmental, institutional, community) in the field of Communication Design. The purpose of these awards is to showcase design excellence and ingenuity in the academic study of design.

Category: Scholarship (winner)

Graphic Design Histories of the Olympic Games

Jilly Traganou
Associate Professor
Parsons School of Design

Category: Teaching (winner)

The Phaistos Project — 45 Symbols

Pascal Glissmann
Assistant Professor
Parsons School for Design

Olivier Arcioli
Lecturer and Researcher
Academy of Media Arts Cologne

Andreas Henrich
Professor
Academy of Media Arts Cologne

Category: Service (winner)

Design Edu Today

Gary Rozanc
Assistant Professor of Graphic Design
University of Maryland

Category: Scholarship (runner-up)

Walls of Freedom: Street Art of the Egyptian Revolution

Basma Hamdy
Assistant Professor
Graphic Design Department

Virginia Commonwealth University in Qatar

Category: Teaching (runner-up)

Intercultural Design Collaborations in Sustainability

Kelly Murdoch-Kitt
Assistant Professor, Graphic Design
College of Imaging Arts & Sciences
Rochester Institute of Technology

Denielle J Emans
Assistant Professor
Graphic Design Department
Virginia Commonwealth University in Qatar

Jurors

Steven McCarthy (Chair)
Professor of Graphic Design
University of Minnesota

Elizabeth Guffey
Professor of Art History
Purchase College, SUNY
Founding Editor of Design and Culture

Elizabeth Resnick
Professor of Graphic Design
Massachusetts College of Art and Design

Maria Rogal
Professor of Graphic Design
University of Florida

David Shields
Associate Professor & Chair of Department of Graphic Design
Virginia Commonwealth University

For details, visit the awards page at DesignIncubation.com/educator-awards/

Deadline: Submission deadline is May 30, 2016. The application form can be downloaded here.

Announcement of Awards
The awards will be announced the first week of September 2016.