Chicago Design Milestones

An installation showcasing the evolution of design from 1920s to the present.

Sharon Oiga
Associate Professor
University of Illinois at Chicago

Guy Villa Jr.
Assistant Professor
Columbia College

Daria Tsoupikova
Associate Professor
UIC School of Design

Chicago Design Milestones is a media installation that brings to life the evolution of Chicago design by examining and showcasing the historic characteristics of design works from the 1920s to the present. Project material was researched and culled from the robust collection of the Chicago Design Archive (CDA), which holds over 3,200 works from over 1,100 designers and 400 firms. The CDA, the UIC School of Design & Electronic Visualization Laboratory, and Columbia College Chicago collaborated together on this project, as their underlying and ongoing quest is to spotlight the role of Chicago as a major national design center through the use of innovative technologies.

A significant challenge was figuring out how to represent the thousands of archived works from the past 100 years. This was done by scouring every single image, over countless hours, and selecting representative works for each decade.

Another challenge was figuring out how to best employ the distinctive installation structure of 150 Media Stream, comprised of 89 LED vertical blades that reach 22 feet high and span 150 feet wide — a vertical pattern combined with massive horizontality, which are opposing but interesting dynamics. These are constructs the team made sure to utilize, by ensuring that particular images animate to traverse the unique terrain.

Chicago design history is not commonly brought to the attention of the general public. The project offers it outside of the confines and prompting of a book, classroom or school, and it is instead framed in the context of an immersive technological experience.

The aim is to engage onlookers and inspire them with the city’s creative history. Hopefully, viewers delight and marvel in what they see. Perhaps they will feel a sense of nostalgia, a feeling of pride for the city, or gain a stronger appreciation for Chicago history and creativity.

This research was presented at the Design Incubation Colloquium 6.2: CAA 2020 Conference Chicago on February 14, 2020.

The Fusion of Art, Science and Technology

The integration of artistic expression into current technological design methods.

Min Kyong Pak
Assistant Professor
University of Southern Indiana

In our high-tech modern world, scientists and artists push the limits of fusion and innovation to create new avant-garde narratives, emerging formats, and technological platforms. Technology and medium are constantly evolving. The demand for better quality in new media, storytelling and medium continue to evolve. Examples of new media include artificial intelligence, augmented reality, data visualization, interactive media, human-computer interface, video games, and virtual reality. In order to create this new media, artists are required to use code, data, and algorithms.

Storytelling is not merely confined to spoken or written words. There are many ways by which a designer can tell a story. A designer can exploit cutting-edge advances in science and technology to tell a story with artistic influence. My interest is to integrate artistic expression into current technological design methods. This project will give a voice to ideas that touch and affect us on a daily basis, search for who we are, and relate to our environmental world around us. The result is to infuse art, technology, and culture in the context of a community or geographical location. The greatest work of art connects and engages with our senses, heart, soul, and mind.

We live in a complex world. The digital age provides us with many opportunities to rebuild and adapt to an ever-evolving continuum. Both art and science are forms of exploration. Designers explore innovative designs, and scientists find the answers. Both transform reality and innovation to push our expectations and imaginations. My vision is to bridge the gap between art and science to create the best 21st century design. I believe the fusion of art, science, and technology is transformative and revolutionary.

This research was presented at the Design Incubation Colloquium 6.2: CAA 2020 Conference Chicago on February 14, 2020.

The Design and Branding of a Project

Anita Giraldo
Assistant Professor
Communication Design
New York City College of Technology, CUNY

Steel Ice & Stone is an interactive installation consisting of nine 3 x 4” backlit photographic images, each equipped with a dedicated sensor-driven sound unit which play back nine sound compositions. It was first exhibited in December 2013 at ArtWorks Trenton, followed by its Brooklyn exhibition at the Gowanus Ballroom in June 2014.

The work employed various forms of social media for its promotion and funding, most notably a successful Kickstarter. Attaining this form of funding was a complex task requiring agile strategies across a system of social media outlets, all designed to further the brand of the work.

The ultimate goal was to build the most appropriate target audience—a fan base—who would identify so strongly with the project that they would fund it, attend its exhibitions and buy an artwork from the installation.

This research was presented at the Design Incubation Colloquium 1.3: Parsons The New School on Tuesday, December 2, 2014.