Look Closer: Interaction, Interpretation, Environmental Storytelling

John Delacruz
Professor of Advertising
School of Journalism and Mass Communications
San Jose State University

The creative industries rely on interdisciplinary practices. They require team working skills and the ability to learn, support and help others in an increasingly inter-disciplinary environment.

Students at San Jose State University who aim to enter the creative industries have been working on a project with Santa Clara County Parks creating interactive and interpretive story tree installations on the Coyote Creek Parkway Trail at Hellyer County Park. This is the Coyote Creek Fables, part of a bigger project of artworks to be sited in Hellyer Park.

Our presentation will explore how the student team has evolved and produced a body of work that will exist in a real space, enhancing the trail and the Ranger-led talk, and online, supplementing the Coyote Creek fables with information and interactive elements shaping the user experience. How did the design process unfold? How did the experiential and improvisational pedagogical approaches help shape the outcomes? What are the Coyote Creek fables?

The concept, inspired by the Ohlone tribes of California and their associations with totem poles, is intended to enhance existing interpretive programs, while encouraging trail users to take a closer look at the wildlife found along the multi-use Coyote Creek Parkway Trail.

Our design team is a diverse mix group of undergraduate and graduate students with backgrounds in graphic design, journalism, photography, advertising, and mass communications. The project has enabled them to engage in collaborative, experiential practices where different skill sets have allowed peer mentoring to drive them to their final products.

The student team has engaged in peer to peer collaboration, and found ways to work remotely at times. They have developed awareness of natural history and environmental stewardship as they flex their creative muscles. The overall learning experience has provided them with a skill set that will help them navigate their future careers in the creative industries successfully.

This research was presented at the Design Incubation Colloquium 3.1: Kean University on Saturday, Oct 22, 2016.

Making Places: Design Methods And Practices In Interdisciplinary Scholarship Labs

Amy Papaelias
Assistant Professor of Graphic Design
Art Department
SUNY New Paltz

Interdisciplinarity is the ability to combine, cross or think through multiple disciplines in order to create new bodies of knowledge. Environments that foster interdisciplinary scholarship and critical making explore innovative pedagogical and research approaches in the liberal arts, sciences, and humanities. Although these interdisciplinary scholarship labs (and related environments including makerspaces and digital humanities centers) exist at many institutions, few have explicitly brought design thinking and visual design strategies into their practices and research. By definition, design includes the collaborative creation of experiences, processes, systems, services, through the study of human behavior, social research methods, and critical thinking. Across a variety of disciplines, these design activities can benefit and enhance research and scholarship as integral to the dissemination and communication of new knowledge.

What is design’s role in these spaces? How are design methods and practices being implemented, engaged with, and applied to the liberal arts and sciences? In what ways can design help communicate complex visual messages, ideate physical artifacts, and build digital tools within these contexts? What are some of the challenges of integrating design methods or practitioners in cross-disciplinary projects and how might we encourage more collaboration between design and other disciplines within our institutions?

This presentation will discuss the role designers and design methods can play in interdisciplinary scholarship labs, centers, and spaces. I will share some of my current research that seeks to understand how design is integrated into these environments at colleges and universities. By examining design’s role in research and pedagogy outside of our own field, we can expand the possibilities for future emergent scholarly practices within design and beyond.

This research was presented at the Design Incubation Colloquium 2.5: Fashion Institute of Technology (FIT) on Saturday, March 12, 2016.