Graphic design has become affiliated with practices far afield from aesthetic foundations
Abstracts
An Argument for Including the Banal in Design Histories
It is critical to understand how basic design efforts are explicitly world-building
Prototyping Interactive and Exploratory Visualizations for Interdisciplinary Dialogues
The visualization of interdisciplinary dialogues between design faculties and practitioners
Come Back Home: A Case Study of a Collaborative Srts-based Research Project
How can society continue to engage in the shared pursuit of truth within the context of social-media fueled mis-information and socio-political fragmentation?
Gadzooks: An Embellished Connection Between Like-Minded Characters
The College for Creative Studies / BFA Communication Design department began a partnership with The Henry Ford Museum of American Innovation’s Curators and Archivist
Subject, Material, Tool: A Strategy for Harnessing the Visual Communication Possibilities of Physical Materials
A set of limitations designers can play with in order to get the most image-making possibilities out of any given material
Uttar Pradesh’s First Breastfeeding Cubicle
communication collaterals in the form of cubicle wall panels were co-designed and rigorously tested with a cohort of mothers from the target audience
Semiotics Studio
Course outcomes connect the study of form to the political dimensions of designing, specifically how systems of representation bear on social realities
Social Design: Bridging Two Continents Through Collaboration and Innovation
Students understand their role as designers/co-creators/catalysts within a global context to explore the problem of sustainability
Design as a Tool to Counter Structural Oppression
Research that focuses on co-designing socio-cultural technologies, practices, and policies