Developing stakeholder-informed visuals to improve mental health awareness and decrease stigma
Abstracts
Voices Heard: Designing an Oral History Archive
22 cassette taped interviews with Black residents of Pontiac, Michigan from the mid-1970s
Designing with Power: Drawing Parallels Between Design Pedagogy and Writing Workshops
Graphic design has become affiliated with practices far afield from aesthetic foundations
An Argument for Including the Banal in Design Histories
It is critical to understand how basic design efforts are explicitly world-building
Prototyping Interactive and Exploratory Visualizations for Interdisciplinary Dialogues
The visualization of interdisciplinary dialogues between design faculties and practitioners
Come Back Home: A Case Study of a Collaborative Srts-based Research Project
How can society continue to engage in the shared pursuit of truth within the context of social-media fueled mis-information and socio-political fragmentation?
Gadzooks: An Embellished Connection Between Like-Minded Characters
The College for Creative Studies / BFA Communication Design department began a partnership with The Henry Ford Museum of American Innovation’s Curators and Archivist
Subject, Material, Tool: A Strategy for Harnessing the Visual Communication Possibilities of Physical Materials
A set of limitations designers can play with in order to get the most image-making possibilities out of any given material
Uttar Pradesh’s First Breastfeeding Cubicle
communication collaterals in the form of cubicle wall panels were co-designed and rigorously tested with a cohort of mothers from the target audience
Semiotics Studio
Course outcomes connect the study of form to the political dimensions of designing, specifically how systems of representation bear on social realities