Alex Liebergesell Associate Professor Graduate Communications Design Pratt Institute “The Future of Employment”, published by the Oxford Martin School in 2013, predicts significant displacement of human labor forces over the coming two decades, as computerization and robotics continue to migrate from routine manual to non-routine cognitive tasks. While designers fare well in the study’s susceptibility-to-displacement … Continue reading “Designing for Autonomous Machines”
Alex Girard Assistant Professor Graphic Design Art Department Southern Connecticut State University At Southern Connecticut State University, it has been observed that students pursuing a design degree are entering the program with a background dominated by a philosophy in which success equals providing a pre-defined, correct answer to a problem. This approach does not prepare … Continue reading “Facilitating a Culture that Celebrates Experimentation and Addresses the Fear of Failure through Assessment”
Nancy Wynn Associate Professor Merrimack College In the fall of 2015, as the new faculty member at Merrimack College, I was thrust into this position. A cold dose of reality hit—my senior students’ work was, sadly, a mess. It was clear the design program needed to be rebuilt and renamed. Acting fast became necessary, because … Continue reading “Reconstructing a BA Graphic Design Program: Scalpel or Sledgehammer?”
Jason Dilworth Associate Professor Visual Arts + New Media SUNY at Fredonia Since 2013 our organization has worked to respond and understand the forest as an idea generator for the designer. Through a process of exploration, reflection,and action we investigate through objects and questions. We seek to understand how complex forests systems work and sometimes … Continue reading “Thinking Like a Forest / Ecological Empathy”
Peter P. Bella, Jr Assistant Professor Indiana University–Purdue University Fort Wayne How human can the machine become in relation to the craft of moveable type and modern printing technologies? The letterpress has been an instrumental aspect of typography for centuries. The mechanical process of raised letterforms transferring ink to paper has a humanistic quality that … Continue reading “Making the Machine Human: Embracing Printing Technologies in Crafting a Present-Day Moveable Typeface”
Mitch Goldstein Assistant Professor School of Design Rochester Institute of Technology My research focuses on the examination of form and methodology using darkroom photography techniques, specifically the photogram. Photograms use no cameras or lenses — instead, objects are placed on or near unexposed photographic paper and briefly exposed to light. This process results in abstract … Continue reading “Unforeseen Structures: Chaos, Materials, and Emergent Process”
Courtney MarcheseAssistant Professor of Interactive Media + DesignSchool of CommunicationsQuinnipiac University : In graphic design, models are material prototypes that help synthesize research into testable forms. Through experimentation and testing, many rounds of revisions are made to culminate in a visual that can effectively speak to its audience. In an age of infinite information, data … Continue reading “Zika and Public Health Guidelines: Prototyping Models for Different Personas”
John O’Neill Assistant Professor of Graphic Design University of Minnesota Duluth My presentation will speak to the legacy of how the graphic design industry throughout history has reflected racism in mass communication, shaping the attitudes and behaviors of the general public. Teaching graphic design students the racial impact of design is as important as instructing … Continue reading “Racism Untaught”
Joel MasonProfessor Emeritus Department of Communication Design New York City College of Technology, CUNY In 1979, as a full-time member of the Communication Design department at NYC College of Technology, I was assigned Lettering and Typography, a first semester course teaching students to draw three basic alphabets: Caslon, Bodoni and Helvetica using the “built-up” method … Continue reading “Drawing Type, Drawing Connections”
Joshua Korenblat Assistant Professor Graphic Design State University of New York at New Paltz Visual communicators can work at the center of ideas by understanding mental models. A mental model is an abstract representation of reality that enables thinking, understanding, and knowledge sharing. In his book Visual Complexity, Mapping Patterns of Information, researcher Manuel Lima … Continue reading “Visualizing Mental Models”
